Gamp Progress

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I thought I’d post a couple of photos of the progression of the gamp I’m weaving.  This is in Harrisville wool.  The weather finally broke and we are back to tolerable temperatures.  I did a lot of weaving this past Sunday and a little on Wednesday.

I have to say that this project has taught me a lot more about weaving than color interaction.  I’ve had a couple of issues with the tension on my warp (which I’ve corrected) and I also broke a warp thread the other night.  That was a bit more of a challenge figuring out what would work and what wouldn’t.  It broke between the heddle and the reed.  I thought I could knot a new thread in – not.  So I just put a new thread from the back to the front and weighted it like I’ve done with a broken floating selvage.  It worked I’m happy to say.  The best part was the lack of panic on my part, I just figured out how I could make it work.  Six months ago that might have been a problem, I would have had a more difficult time figuring it out.

I hope to have this off of the loom this weekend.  As beautiful as it is I’d much rather be doing overshot, plain weave is just so boring.

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Weaving Wednesday 12

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Half the yarn on the warping board.

Although it’s been very hot and humid I decided that I had to get another project on the loom – I needed the meditation. This will be a color study in Harrisville Shetland wool. There are 18 stripes of 18 colors.  Each color intersects every other color, answering that question of how the colors work together.  It’s also the first time I’ve done a multi colored warp.

My weaving instructor kept telling me to do this with the materials that I have but since I really didn’t have any I got this little kit from the Yarn Barn of Kansas.  I love, love, love the Harrisville wool so I figured this was the safest way to go.

130714 (2)Warp on the lease sticks.

I wound 24 ends of each color then proceeded to the loom.  I love how bright these colors are but with the heathered overtones that Harrisville is known for.  This was very easy to thread into a standard twill -1,2,3,4 over and over with all of the numbers coming out even (my OCD loves this kind of project).

130714 (3)Heddles threaded.

I love the way this looks as it progresses. A friend recently asked me how I could work with wool in this heat but you really don’t handle the fiber a lot while you are doing this – well, you do but it’s not like wrapping yourself in a wool blanket.  Once the loom is warped and you start weaving you aren’t really handling the fiber that much.  I also have a fan blowing on me from the back of the loom, that helps.  I truly think weaving is much more of a summer craft than knitting or rug hooking because you don’t have to hold anything in your lap.

Next up slaying the reed.  I should be able to do that tomorrow night and start weaving.

Weaving Wednesday 11

130706 Keith's Scarf

 

I was a mad weaver last week.  This piece started out as an experiment in sett really.  I had a draft but wanted to use something other than what it called for, because I didn’t have access to the required materials and I just HAD to weave SOMETHING.

The warp is a Berroco’s Ultra Alpaca Fine which is a  wool/alpaca/nylon blend, the color – Potting Soil Mix.  The weft is Berroco’s alpaca in red.  The pattern is an overshot called Orange Peel.  The name alone made me want to weave it in orange.

I am proud to say that this project went off without a hitch – from warping to finishing.  It also happened in 5 days.

We were going to a nephew’s 30th birthday party on the 6th (yes, I am that old) and I needed a gift.  After asking Bill if he would wear it (no, he can’t put anything around his neck), I decided to give myself that deadline.  The biggest problem I ran into was finishing.  Living in a house with no air conditioning in the middle of a humid heat wave is not conducive to air drying a 72″ wool scarf.  I confess to putting it in the dryer on air for a half an hour without adverse results.  I also didn’t realize how hot I would be twisting fringe.  The results were worth it.

This piece is yummy – so soft and warm.  I’m sure it will get used in San Francisco.  I was a little sad to see it go but had woven it with the recipient in mind, those are always the best projects.

Now I have to admit that I’m just a little on edge because there is nothing on my loom right at the moment.  I have a number of choices right now but I think I will weave a gamp of Harrisville wool that I just purchased.  I figured Harrisville was the way for me to go because I love the way their wool is spun and dyed.  So 18 colors, 72 inches – I can’t wait to get it started!  On the other hand if this heat keeps up maybe I should consider making something in cotton.

Weaving Wednesday 10

130616 Orange Peel ScarfI finished the cotton towels I was weaving in Rowe on Saturday and was desperate to warp a new project. I decided on an overshot scarf in the Orange Peel pattern.  The warp is fairly short and only has 146 ends.  I was not ready to do a huge warp for another throw just yet so I made a little trip to Metaphor Yarns in Shelburne. They have some really beautiful yarn – really beautiful.  I was looking at a draft before I left that used tencel as the warp with sock yarn as the weft.  After poking around the store I found some fingering weight alpaca blend and figured I would change the sett if I had to (pretending I actually understand what I’m doing well enough to do that).  The warp color is called potting soil and it’s lovely.  I chose a red alpaca worsted for the weft.

Sunday morning I was on fire – I warped that loom in record time and am proud to say not one mistake – woohoo!  I like the way this overshot pattern is going.  The scarf will be 70″ in length with a twisted fringe on either end (since I know how to do that now).  The fabric is fine and will have a nice drape.  Best of all , it will be warm!

This is when I truly am thankful for the lessons learned this past year in my weaving class at Firewatch Weavers.  I am able to plan out my project. I know how much fiber and of what weight I will need to create what I have envisioned in my head.  I know how to read the draft no matter how it’s written because truth be told not all drafts are created equal.

It is amazing to me that I can follow these steps – by myself – and have results like this.  The problem I have now is this is what I spend my days dreaming about – sitting at that loom and throwing a shuttle (or two).

 

Maltese Cross Finished

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I finished the Maltese Cross overshot throw this past weekend.  I don’t know when I’ve felt more proud of a project.  So many different steps go into something like this, it’s the perfect foil for someone who bores easily.

After taking it off of the loom I took out the sewing machine and sewed the edges along the weft before the start of the fringe.  I then put it into a sink full of cold water and shampoo (just a touch).  I had a minor freak out when the water turn red with fugitive dye.  Eeeeekkk!  I rinsed and rinsed.  Whew.  Then I added a little conditioner and rinsed again.

After air drying overnight I cut the tabs off of each end to release the fringe and twisted and knotted it with a total of 8 strands in each ply.  What a nice finish that is.

It is so soft, so beautiful, I can’t stop looking at it – and touching it.

Now I’m planning the next one.  It has given more urgency to finish weaving the cotton towels now on the loom.  I just need more hours in the day!

Dreaming of Possibilities

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Last night I finished my overshot throw and took it off of the loom.  I’m amazed at how quickly the weaving went.  I will post a photograph of it once it’s finished.  I still have to sew, wash and do the fringe (twisted I think).  It’s quite beautiful and I’m pleased with the way it looks.  This was a lot of fun along with the frustration.

Taking this project off of the loom in class marked the end of weaving lessons until the fall.  After we took it off the loom Pam spread it out and said “Well, it’s beautiful, now you’ll just have to come to weave for fun because there is nothing else I can teach you.”  Yeah, right.  I have to say I have never taken a class where I learned so much in such a short period of time.  I’m excited at the prospect of the many, many new weaving projects ahead.  Every time I take something off of a loom the next project is rolling around in my head.  I haven’t really got the Maltese Cross out of my system yet so I will probably make another one on the loom at home in another color.  I’m also looking at other overshot drafts.  I figure since I’ve done one design it shouldn’t be a problem doing another, just read the draft.

I have a 40 minute drive to and from weaving class.  It always seems like it takes forever to get there in anticipation of what new thing I’m going to learn.  The drive home seems like it takes much less time.  I go over and over what I’ve done in the last 3 to 4 hours.  I think about the structure, the colors, the process.  I think that’s the sign of a good fit in craft – you dream of the possibilities.

The Reason I Started to Weave

Book Cover

Most of my family on both my mother’s and father’s sides immigrated to the United States in the late 1800’s, the majority of them went to work in woolen mills in various parts of New England.  This is fairly typical for immigrants of that era.  Their skills were learned on the job and they worked their way into different jobs in a particular type of manufacturing.

My father’s father, Elmer, worked in woolen mills his entire life.  I can’t say for sure what all of his jobs entailed but he is listed in the 1930 Census as a Loom Fixer.  He was a brilliant man and could fix anything, including machining any parts that he needed.

He left behind a number of books where he kept track of all sorts of things including loom set ups.  I had never woven a thing so when I looked at this particular book it didn’t make any sense other than to know that they were drafts and swatches of fabric that he had woven.  That’s pretty cool in itself.

Weave Instructions (1)He had his own woolen mill in the late 50’s and early 60’s and I’m assuming these were some of the drafts for what he was weaving at the time.

Weave Instructions (3)Not ever having woven a thing I had no idea what he was talking about but felt like if I learned then I could be privy to his secret language, sort of get inside of his head.

Weave Instructions (4)A friend was moving last summer and posted on her Facebook page that she needed to get rid of her Harrisville loom and was anyone interested – I jumped on it.  When I did I was thinking about this book and my family heritage with weaving.  I googled weaving instructors for that particular loom and found Pam in Brimfield.  I brought the book into class the second week to find out if I would be able to read it at some point.  The mechanical looms are very different from the hand looms but what I’ve found is they are all the same really.  She assured me that I would be able to read his drafts but would also be able to weave them

I look at this book in a totally different way now.  I understand what he was saying and doing and it’s truly amazing.  He would write the drafts, set up the looms and then attach a swatch of what he had created in his mind.  Wow.

In the past year of weaving class I have learned the mechanics of dressing a loom and weaving structure (the basics).  I have learned that my brain works in a way where I can see from a draft what a weaving structure will look like.  I’ve learned that I inherited the ability to do this and understand it.  Now I can spend some time actually weaving some of the drafts that my Pampi wrote.  How cool it that?

Weaving Wednesday 9

130528 Weaving (1)My weaving instructor rethreaded the mistake in my warp over the weekend – have I mentioned just how awesome she is?  I began to weave this throw in earnest last night.  It’s a lot of fun.  I love a complicated pattern and overshot really fills that bill.  The draft is hanging from the castle of the loom at the top of the photo (well part of it is).  I was able to get through 3 1/2 repeats and probably wove 15 inches or so.

I’m still a little bit in awe of the whole process.  It amazes me that something that looks this incredibly complicated can be quite simple if you break it into small steps, sort of like life’s problems.  Weaving could really be used as a metaphor for life with all of its steps in process, problems to be figured out, moving through it with some mundane work interspersed with possible broken threads or mistakes.

As you weave you become intimate with the pattern, you know every jog and curve.  The draw down on the draft tells me exactly where I have left off in the treadling.  It’s a good thing because I have to rewind the bobbin with the red yarn about a third of the way through each repeat.  I’m always coming back to my bench and thinking, “Hmmmm, where was I?”  I’m happy to report that it became much easier to figure out the third time through.  I think the best part about this pattern is by the time I’m sick of weaving the repeats I’ll be done!  Win, win.

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Weaving Wednesday 8 – Maltese Cross

130521 Maltese Cross (2)I finished warping last night and began weaving a dry run to see if there were any mistakes with some different yarn than I have to weave the throw.  Pretty cool isn’t it?  Well, not as cool as you might think because there WAS a threading error and we narrowed it down to the 15 or 20 threads.  Now it has to be fixed.  This is always amazing to me – you thread four harnesses in a certain way, weave with your treadling a certain way and this is what happens.  All I can say is WOW.  I am sooo hooked.

 

Weaving Wednesday 7


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Pam, our instructor, lashing a warp for a Navajo rug.

I left early yesterday thinking that with an extra hour I would be able to finish threading it and possibly sley the reed.  Ahhhh, the best laid plans.  Last week when I started threading my warp I was on fire.  Everything went in order, no mistakes, perfection.  I only had time to thread the first half so with the extra time I figured this should be easy.  I threaded, rethreaded and threaded again the last half of that warp.  Three hours into it I had 25 to 30 threads left over at the end.  Count, count, count, rethread, count, count count, thread again, still wrong, ugh.  Sometimes your head is in the game, sometimes it’s not, last night it definitely was not.  I got there at 5:00 and by 8:30 I had the reed on ready to start that but really didn’t have enough time so it will be waiting for me next week.  Bummer.

When I first arrived at the studio I went around and took a few photographs of the other weaving projects going on.  It’s all fascinating to me and there is just so much you can do (although the just gives me weaving ADD).  Since my loom looks almost exactly the way it did last week I’ll share some of the other weaving – without description since I’m not sure of the proper terminology.

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I have my class on Tuesday evenings so there are only a couple of other women that I actually weave with.

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We do have weaving “theory” classes once a month where all of Pam’s students get together to learn about drafting, structure and color. Now I can put the names and projects with the faces.

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It has been an amazing experience playing with these women who are all at different places in their weaving education.

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All of the weavers that I have met are very generous people.  They are open, honest and giving.  It’s like going to therapy every week.  We are all around the same age with wildly diverse backgrounds but we come together to create beautiful things.  You see everyone’s tastes are so different in their color choices or even their projects.  Pam steers people in the direction of their capabilities and gives direction when needed.  She encourages each of us to work on our own so when we leave we can go home, warp our own looms and weave without her assistance. It’s nice to know that she’s only a phone call away though, I’m not all grown up yet.

130514 Weaving (6) The photo above is of a double weave rug (I know this much).  It is one of the most stunning things I have ever seen.  Makes me think a rug is in my future.