Oh Molly!

Molly Asparagus

 

This is the latest addition to my Molly collection.  Molly Cantor makes some of the most beautiful pottery I have ever seen.  I began collecting it about 5 years ago.  I had bought a coffee mug in her shop with birds on it.  The glaze on the inside is green.  The size and shape is perfect for that morning cup of coffee and I love drinking that first cup out of something I think is so beautiful.

The asparagus platter was made for the WGBY Asparagus Festival earlier in the month.  When she gave a shout out for the event on Facebook I commented that I wanted it – sold, right then and there.  I don’t always get to the Falls when things are open, I’m usually on my way back to CT at 7:00 A.M. and there isn’t anyone around at that hour so my sister picked it up for me.

My sister and I took a pottery class from Molly last summer (it seems like it was longer ago than that).  Molly is a wonderful teacher with one flaw – she makes it look sooooo easy.  Rather than make my own pots (well, sort of pots) I would much rather spend my time watching her throw them.  She’s been making them for so long she instinctively knows how much clay to use.  Her pottery is consistent, the mugs are the same size, the bowls are basically the same shape, the plates the same diameter.  Her designs all come from what she sees around her and I am always amazed at how adept she is at translating her vision onto clay.

I love learning new crafts.  Our class size was small and my sister and I are both capable of laughing at our mistakes (and laugh we did).  The best thing about taking a class from Molly is it gave me a new appreciation for her art.  I’ve seen so many people come into her studio and whisper how expensive her pots are.  After watching her work and seeing the amazing talent that she has I want to tell them “Oh no, she really isn’t charging enough.”

 

Weaving Wednesday 10

130616 Orange Peel ScarfI finished the cotton towels I was weaving in Rowe on Saturday and was desperate to warp a new project. I decided on an overshot scarf in the Orange Peel pattern.  The warp is fairly short and only has 146 ends.  I was not ready to do a huge warp for another throw just yet so I made a little trip to Metaphor Yarns in Shelburne. They have some really beautiful yarn – really beautiful.  I was looking at a draft before I left that used tencel as the warp with sock yarn as the weft.  After poking around the store I found some fingering weight alpaca blend and figured I would change the sett if I had to (pretending I actually understand what I’m doing well enough to do that).  The warp color is called potting soil and it’s lovely.  I chose a red alpaca worsted for the weft.

Sunday morning I was on fire – I warped that loom in record time and am proud to say not one mistake – woohoo!  I like the way this overshot pattern is going.  The scarf will be 70″ in length with a twisted fringe on either end (since I know how to do that now).  The fabric is fine and will have a nice drape.  Best of all , it will be warm!

This is when I truly am thankful for the lessons learned this past year in my weaving class at Firewatch Weavers.  I am able to plan out my project. I know how much fiber and of what weight I will need to create what I have envisioned in my head.  I know how to read the draft no matter how it’s written because truth be told not all drafts are created equal.

It is amazing to me that I can follow these steps – by myself – and have results like this.  The problem I have now is this is what I spend my days dreaming about – sitting at that loom and throwing a shuttle (or two).

 

Maltese Cross Finished

130609 Throw (2)

I finished the Maltese Cross overshot throw this past weekend.  I don’t know when I’ve felt more proud of a project.  So many different steps go into something like this, it’s the perfect foil for someone who bores easily.

After taking it off of the loom I took out the sewing machine and sewed the edges along the weft before the start of the fringe.  I then put it into a sink full of cold water and shampoo (just a touch).  I had a minor freak out when the water turn red with fugitive dye.  Eeeeekkk!  I rinsed and rinsed.  Whew.  Then I added a little conditioner and rinsed again.

After air drying overnight I cut the tabs off of each end to release the fringe and twisted and knotted it with a total of 8 strands in each ply.  What a nice finish that is.

It is so soft, so beautiful, I can’t stop looking at it – and touching it.

Now I’m planning the next one.  It has given more urgency to finish weaving the cotton towels now on the loom.  I just need more hours in the day!

The Reason I Started to Weave

Book Cover

Most of my family on both my mother’s and father’s sides immigrated to the United States in the late 1800’s, the majority of them went to work in woolen mills in various parts of New England.  This is fairly typical for immigrants of that era.  Their skills were learned on the job and they worked their way into different jobs in a particular type of manufacturing.

My father’s father, Elmer, worked in woolen mills his entire life.  I can’t say for sure what all of his jobs entailed but he is listed in the 1930 Census as a Loom Fixer.  He was a brilliant man and could fix anything, including machining any parts that he needed.

He left behind a number of books where he kept track of all sorts of things including loom set ups.  I had never woven a thing so when I looked at this particular book it didn’t make any sense other than to know that they were drafts and swatches of fabric that he had woven.  That’s pretty cool in itself.

Weave Instructions (1)He had his own woolen mill in the late 50’s and early 60’s and I’m assuming these were some of the drafts for what he was weaving at the time.

Weave Instructions (3)Not ever having woven a thing I had no idea what he was talking about but felt like if I learned then I could be privy to his secret language, sort of get inside of his head.

Weave Instructions (4)A friend was moving last summer and posted on her Facebook page that she needed to get rid of her Harrisville loom and was anyone interested – I jumped on it.  When I did I was thinking about this book and my family heritage with weaving.  I googled weaving instructors for that particular loom and found Pam in Brimfield.  I brought the book into class the second week to find out if I would be able to read it at some point.  The mechanical looms are very different from the hand looms but what I’ve found is they are all the same really.  She assured me that I would be able to read his drafts but would also be able to weave them

I look at this book in a totally different way now.  I understand what he was saying and doing and it’s truly amazing.  He would write the drafts, set up the looms and then attach a swatch of what he had created in his mind.  Wow.

In the past year of weaving class I have learned the mechanics of dressing a loom and weaving structure (the basics).  I have learned that my brain works in a way where I can see from a draft what a weaving structure will look like.  I’ve learned that I inherited the ability to do this and understand it.  Now I can spend some time actually weaving some of the drafts that my Pampi wrote.  How cool it that?

Weaving Wednesday 9

130528 Weaving (1)My weaving instructor rethreaded the mistake in my warp over the weekend – have I mentioned just how awesome she is?  I began to weave this throw in earnest last night.  It’s a lot of fun.  I love a complicated pattern and overshot really fills that bill.  The draft is hanging from the castle of the loom at the top of the photo (well part of it is).  I was able to get through 3 1/2 repeats and probably wove 15 inches or so.

I’m still a little bit in awe of the whole process.  It amazes me that something that looks this incredibly complicated can be quite simple if you break it into small steps, sort of like life’s problems.  Weaving could really be used as a metaphor for life with all of its steps in process, problems to be figured out, moving through it with some mundane work interspersed with possible broken threads or mistakes.

As you weave you become intimate with the pattern, you know every jog and curve.  The draw down on the draft tells me exactly where I have left off in the treadling.  It’s a good thing because I have to rewind the bobbin with the red yarn about a third of the way through each repeat.  I’m always coming back to my bench and thinking, “Hmmmm, where was I?”  I’m happy to report that it became much easier to figure out the third time through.  I think the best part about this pattern is by the time I’m sick of weaving the repeats I’ll be done!  Win, win.

130528 Weaving (2)

 

Weaving Wednesday 8 – Maltese Cross

130521 Maltese Cross (2)I finished warping last night and began weaving a dry run to see if there were any mistakes with some different yarn than I have to weave the throw.  Pretty cool isn’t it?  Well, not as cool as you might think because there WAS a threading error and we narrowed it down to the 15 or 20 threads.  Now it has to be fixed.  This is always amazing to me – you thread four harnesses in a certain way, weave with your treadling a certain way and this is what happens.  All I can say is WOW.  I am sooo hooked.

 

Weaving Wednesday 7


130514 Weaving (1)

Pam, our instructor, lashing a warp for a Navajo rug.

I left early yesterday thinking that with an extra hour I would be able to finish threading it and possibly sley the reed.  Ahhhh, the best laid plans.  Last week when I started threading my warp I was on fire.  Everything went in order, no mistakes, perfection.  I only had time to thread the first half so with the extra time I figured this should be easy.  I threaded, rethreaded and threaded again the last half of that warp.  Three hours into it I had 25 to 30 threads left over at the end.  Count, count, count, rethread, count, count count, thread again, still wrong, ugh.  Sometimes your head is in the game, sometimes it’s not, last night it definitely was not.  I got there at 5:00 and by 8:30 I had the reed on ready to start that but really didn’t have enough time so it will be waiting for me next week.  Bummer.

When I first arrived at the studio I went around and took a few photographs of the other weaving projects going on.  It’s all fascinating to me and there is just so much you can do (although the just gives me weaving ADD).  Since my loom looks almost exactly the way it did last week I’ll share some of the other weaving – without description since I’m not sure of the proper terminology.

130514 Weaving (4)

I have my class on Tuesday evenings so there are only a couple of other women that I actually weave with.

130514 Weaving (3)

We do have weaving “theory” classes once a month where all of Pam’s students get together to learn about drafting, structure and color. Now I can put the names and projects with the faces.

130514 Weaving (2)

It has been an amazing experience playing with these women who are all at different places in their weaving education.

130514 Weaving (5)

All of the weavers that I have met are very generous people.  They are open, honest and giving.  It’s like going to therapy every week.  We are all around the same age with wildly diverse backgrounds but we come together to create beautiful things.  You see everyone’s tastes are so different in their color choices or even their projects.  Pam steers people in the direction of their capabilities and gives direction when needed.  She encourages each of us to work on our own so when we leave we can go home, warp our own looms and weave without her assistance. It’s nice to know that she’s only a phone call away though, I’m not all grown up yet.

130514 Weaving (6) The photo above is of a double weave rug (I know this much).  It is one of the most stunning things I have ever seen.  Makes me think a rug is in my future.

 

Weaving Wednesday 6

IMAG0543-1

 

Last night at class I started by winding the warp onto the warp beam for the Maltese Cross throw that I’m making.  The warp is JaggerSpun Maine Line 2/8 wool yarn (it’s yummy).  This is my first foray into wool and it behaves a little differently than cotton – it’s “sticky” so extra care was taken as the threads came through the lease sticks.  The warp is 36″ wide so it’s just fitting on the loom.  This loom is the same loom that I have in Rowe.  I’m seeing many wool projects in my future, mainly because I just love the feel of the yarn.  Somehow loving the feel of it makes every part of the process that much more enjoyable.

IMAG0544These are the chained warp threads from the front of the loom as they are being wound onto the beam.  I warp from the back to the front.

IMAG0550This is the view from my seat as I was threading the heddles.  You can see a little piece of the draft hung on the castle of the loom, that’s my instructions, it shows what thread goes into what heddle in order.  There are a total of 432 threads in this particular warp, I had half of them threaded by the time I left last night.  Next week I will be finishing up the threading and sleying the reed.

It seems like such a production when you try to describe it to someone but I find all of it to be very relaxing.  I need to concentrate to make sure threads are in the right order, and they aren’t crossed.  The perfectionist in me tries to make sure everything is in order so when I throw my shuttle the first few times I’m not looking at it in disgust trying to figure out how many mistakes I have to fix before I can weave.  This is where I think the perfectionist trait pays off, weaving is very unforgiving.  If it’s wrong, it’s wrong.  Of course some of those errors quite possibly are only things that I would see – but I would see them from across the room.

 

Weaving Wednesday 5


130414 Loom
This past weekend I finished putting the warp on the loom in Rowe and began to weave.  I love having it there so I can just weave any time I want.  I’d like to make short work of these towels (the same ones I had made in class). They are beautiful when they are finished but they are seriously boring to weave.  That’s the craft ADD talking.   I’m currently warping a 36″ loom for class with 2/8 Jaggerspun Maine Line wool yarn.  This is my first venture into wool weaving.  It will be an overshot throw in a Maltese Cross pattern.  I’m looking for some really nice colored wool for the weft, it needs to be a heavy worsted.  I love, love, love the feel of wool so winding this warp has been a pleasure.  Next week it goes onto the loom.  My thought is to finish the towels then warp the Rowe loom the same way and make throws for  Christmas presents.

130414 Summer & Winter FinishedThis is the Summer and Winter runner hemmed and washed.  The wool fulled beautifully and it was so soft once it dried.  Brought it down to sister Sue.  Maybe I can get her into weaving one of these days!

Weaving Wednesday 4

Today should really be textile Wednesday.  On Saturday THIS was delivered to the house.

130407 Hale WheelI am excited beyond words.  This wheel is amazing, so well balanced.  It probably took me all of 10 minutes to adjust and then I just was spinning away.  This is truly a beauty. The funniest part about getting this wheel was how much Bill complained when I told him I was getting it.  He whined about another large piece of equipment coming into the house and where the heck were we going to put it?  He was with Russell gathering sap when it arrived so he didn’t see it until it was all set up and going.  His reaction when he saw it was “Wow, that’s awesome, it looks like it belongs here!”  So instead of it being relegated to another room it may have a home right where it is (unless we have a fire).

Pam drove to Rowe to go through my loom and make some minor adjustments so I could actually weave on it.  I started dressing it on Sunday but didn’t have enough time to finish, possibly tonight I will be able to throw a shuttle and see how it all goes.  I do love putting on a warp though, I love the counting and focus it requires.  It relaxes me. The bonus is how beautiful it is every step of the way.

130407 Dressing LoomThis is an extra warp I wound in class for the twill towels.  I may play with this a bit rather than making just four more towels (although these towels would probably have fewer mistakes).  Perfectionism is such a curse. I love the twill stripes on these and the cotton has such a nice sheen.

130409 End of Summer & WinterI went to weaving an hour early last night and was able to finish my summer and winter experiment.  I ended up weaving a little over 30 inches in the green and white.  I’ll post a photo of it finished once it is.  It really is quite beautiful.  The photograph just doesn’t do it justice, it’s such a wonderful moss green.  Next week I will be warping a 36″ loom for an overshot throw in wool – very excited about this one.  Now to shop for just the perfect yarn and color!