A few weeks ago I met a long time friend on the Bridge of Flowers in Shelburne Falls. As a gardener I am always amazed at this wonderful place.
I posted this photograph after shooting my way along the bridge and a fellow weaver used it as color inspiration. I thought I would as well. (Of course hers was finished within days of the picture going up).
I also decided to move out of the realm of safety and work with new materials, sort of. I’m using 20/2 mercerized cotton and a draft from Twill Thrills to make a scarf.
I did the math. Ordered the cotton. Did the math again. Then started winding the warp.
Truth be told this is my least favorite part of weaving and it took me three days to do it because there were a few moments when I just had to walk away.
I finally got it to the loom and threaded it. It’s an advancing twill pattern at 40 E.P.I. Yes, forty ends per inch. At this point I’m saying to myself “You must be out of your mind” but it got better . . .
I had 32 threads leftover at the end. Not usually a problem unless you decide to do graded colors, ugh. Not happy at this point. It was sort of a random twill so I decided to just to a repeat of part of the pattern and see how it turned out. At this point I was not going to rethread it.
Yesterday I began sleying the reed 4 threads per dent. I got halfway through and decided to break until this morning when the light was better. Finished an hour or so ago. I’ll tie it on, spend some time on the floor doing tie-ups and finally start weaving later today with any luck. Then I’ll be able to see what kind of mess I truly made and if I can live with it or start over.
The interesting part to me is the weavers I have that surround me, that inspire me. I weave with a woman who weaves nothing but twills. She threads her loom without a draft starting in the center and working her way to either edge designing it as she goes along. Her work is amazing. I felt like I was channeling her as I threaded all of those extra ends. I don’ begin to think I’m capable of doing what she does but it’s having weavers around me giving that inspiration. They’re all mentors without knowing it.
I think that’s what makes it so important to show and share your work – no matter what kind of work it is or what your skill level. You never know who you’re going to inspire.