It’s Always Something

wp-1463655459822.jpg

It starts with this.  Poorly wound cones of wool.  Not only are the cones badly wound but the wool is not greatly spun.  There are slubs, lots of them – places where the fiber is not twisted and readily comes apart.  That leads to this.

wp-1463535624738.jpg

The yarn breaks while winding it onto the bobbins either due to the slubs or by catching on the tangles that are on the bottoms of the cones.   Or the bad spinning leads to this –

wp-1463655417528.jpg

Endless broken warp threads, endless repairs.

wp-1463655440720.jpg

I really should have been helping her instead of taking her picture.  The weaving was a real stop and start affair for the past two days.  One blanket wove with a single broken warp thread, the next had over 30 I would guess.  It often looks like this –

wp-1463655338715.jpg

Then you can have issues that cause mechanical failure – there have been a few broken bobbins lately.

wp-1463655387875.jpg

I have to tell you that makes a pretty ugly sound when it happens.  The other day Peggy suggested my next blog post should be titled “Breaking Bad”.  It made me chuckle and it helps to have a sense of humor when things aren’t going along as well as you’d like but then your morning ends with an image like this – wp-1463679844093.jpg

Crawling under the loom is never good (even if it was highly enlightening for me).  The top of a heddle frame caught and broke while the loom was running, number 16.  I stand and watch for broken threads while it’s running and tell Peggy to stop it, I didn’t even see this happen.  There is so much to look at while the machine is running – so much.  We moved the threaded heddles to the frame in back of it (thankfully unused) and took the frame apart and off of the loom.

I learned a lot from this particular incident.  First, experience is everything, Peggy knows where to be looking or knows the sound of a happy or not so happy machine.  Second, this is no game for an older person in questionable physical condition.  I could have gotten under the loom but the question remains, how long would it have taken me to get back up?

Then there is the question of just how long can you run machinery that there are no longer parts for?  With the best running practices things are still going to break.  There are piles of loom parts in the barn where the looms are located but it’s not like you can just order something up on-line when you need to.  I supposed the metal parts could be reproduced by a skilled machinist, but at what cost?  Then there are the bobbins which I daresay were discarded quite often in a running mill.  Who makes those now?

I feel privileged to be able to experience this first hand but am saddened by the knowledge that this is truly the end of the road for this weaving (unless I’ve missed something).  I’m not saying it ends this year or next but the end is visible.  The day you can no longer fix this loom is the day is becomes a ton and a half of scrap metal and that is sad indeed.

 

Two Things at Once

141204 Doubleweave (2)There are some projects that just don’t go the way you expected.  This is another new structure for me – complimentary doubleweave.  I pulled out a couple of cones of 5/2 mercerized cotton using the colors that were in the studioand wound my warp.  I picked a simple overshot pattern, I figured simple would be better since I would be weaving the pattern in a whole different way.

I started Tuesday with what seemed to be little more prep than usual.  The loom only had 3 harnesses on it and all of the harnesses required more heddles.   Things went onto the beam smoothly.  Uh-oh, I just know things can’t go that easily.   The woman on the loom next to mine is doing the same project, different pattern and colors.  She was a few hours ahead of me and started to weave while I was threading my heddles.  It didn’t look the way she had expected.  The weaving was taken out and the sett changed.

I’m thinking this is a good thing.  I changed my sett to what she was now using.  Crisis averted.  I was feeling pretty smug about the whole thing.  I tied the warp on but had a lot of trouble getting the tension even.  I left it at the end of class and figured I’d tackle it today.

When I arrived at class I began weaving and found a couple of threading mistakes.  I rethreaded one and tied a string heddle for the second but now I had to tie on the warp all over again, what the heck?

I wove about 5 inches – two repeats of the pattern – and it just doesn’t look anything like I expected it to.  I took photos and if I squint my eyes it looks like there is some sort of repetition to the pattern but . . .

141204 Doubleweave (1)

Yup, I got up and walked away.  Now I’ll think about it until next week and then we’ll see what can be done with this.  One way or another I will be getting 6 doubleweave placemats out of this but at this point what they’ll look like remains to be seen.

There may be a bit of a problem with weaving two entirely different projects at the same time.  The project on my loom at home is an 8 shaft pinwheel pattern in 20/2 alpaca silk.  It requires a really soft beat in order to keep the required picks (to keep it from looking squished).141203 Scarf (1)

The fiber is more elastic and so soft.  Everything about this has gone smoothly.  Stark contrast to the red and white.

I’m thinking it could be in my best interest to work on similar projects at class and at home.  I have to say at this point I’m wishing I was weaving wool in class but I’m sure after another couple of hours the cotton will turn into something I like and I will be able to flip from one project to the other with ease.  Until then I’ll just fret.

Weaving Wednesday – Round Robin 6

131029 WeavingThis week I decided to tackle the False Satin Blocks in 10/2 mercerized cotton.  I chose a buttery yellow for the weft.  I sat down at this loom last week and simply could not do this.  I was over thinking to the point where I just had to walk away. I didn’t understand what the selvages were doing, the sheds weren’t opening the way they were supposed to, ugh! (Of course if I had just waited and asked a question or two that might have helped).  I spent the entire week fretting about this whole set up.  8 shafts intimidate me, I’m not sure why.  I think it was just out of my comfort zone right then. I was looking for meditation last week, this week I was up for the challenge.

I sat down and wove this without a single issue this week.  I think having my head in a different place made all of the difference.  I wasn’t distracted.

Pam had to unweave a Navajo rug she was working on because there was a problem with how it was warped.  She was trying to fix and then re-warp the frame.  Her cat, Fred decided he would help her out.

131029 Fred (1)Fred loves the studio.  He is always there, waiting for a pat or cuddle (or food).  He helped Pam read her measurements – we all know tempting any owner reading a paper of any kind is. I think he was just in tune to her frustration and was working on a little comic relief.

131029 Fred (2)He did a very good job.